Under exhibitions

Room 9 All references to real events, real people and/or real things are purely coincidental.Danielle Sassoon “Rooms” in the room. […]

Room 8 Everything, after all, has its centre, which must be revealed. We have our centre, but we don’t reveal

Room 7 The images presented are part of a larger project whose protagonists are the tree and the horizon.The first,

Room 6 The coffee pot, among other vessels, or domestic appliances, lends itself particularly well to various transpositions, and analogies

Room 5 The works chosen for this exhibition are photos and have to do with the window and the landscape.When

Room 4 I was a very poised and respectful kid. I liked Careful with that axe, Eugene (Pink Floyd, 1968) very much,

Room 3 The Crucifixions began in the 1950s with an interest in mysticism, art history and the theology of the cross (Louis

Room 2 The research stems from the need to respond to the destabilisation to which our technological and virtual society

Room 1 Reality wants to be the object of my research. The relationship with it is manifested through continuous contemplation:

Room 22 It is finally June. With summer everything looks bright. My eyes are magnifying glasses; light, colours, flowers, scents,