Under exhibitions

Room 5 The works chosen for this exhibition are photos and have to do with the window and the landscape.When […]

Room 4 I was a very poised and respectful kid. I liked Careful with that axe, Eugene (Pink Floyd, 1968) very much,

Room 3 The Crucifixions began in the 1950s with an interest in mysticism, art history and the theology of the cross (Louis

Room 2 The research stems from the need to respond to the destabilisation to which our technological and virtual society

Room 1 Reality wants to be the object of my research. The relationship with it is manifested through continuous contemplation:

Room 22 It is finally June. With summer everything looks bright. My eyes are magnifying glasses; light, colours, flowers, scents,

Room 21 The work I will present at Giorni Felici is an immediate reference to the title of the exhibition. On entering

Room 20 “The impetus of the act of setting out, the adventurous daring of expeditions to remote lands, are deceptive

Room 19 For Giorni Felici the decision was made to go straight into the details: canvases that recall traditional motifs from the

Room 18 Through upside-down magnifying glasses, two drawings stigmatise the imagery of the “short century”. In a diptych of black