Under exhibitions

Room 4 The engravings of Piero Pizzi Cannella, an exponent of the Scuola di San Lorenzo, can be considered as […]

Room 3 “I observed the shoes of some sick people. Their soles had little wear, sometimes intact”. Elisabetta Falanga started

Room 2 An ideal trajectory connected the entrance of the house with the garden. Marco Basta made this passage evident,

Entrance Marija Sevic’s neon sign on the façade of Casa Testori was originally intended to denounce the Museum of Contemporary

Fifty years after Mariuccia’s death, thanks to the generosity of her family, the Mariuccia Testori Paracchi Prizeis launched to support the

Special Guest On 16 January 1972, L’Ambleto was staged at the Pier Lombardo Theatre. Not only was the curtain lifted on a

Room 20Invited by Stefano Arienti The project conceived for this room expresses a reflection on two different elements, united, however, under

Room 19Invited by Giovanni Frangi Weight equation (archive).My work has an archive shelf which is in constant process. It is not

Room 18Invited by Marco Cingolani My most recent cycle of works featured the backyards of private houses infested with monkeys, bears

Room 17Invited by Gabriele Basilico Città inattesa is a journey through a city reconstructed from forgotten pieces of Milan. A dormant