MACELLERIA
Room 8 «How to decide where they begin and where they end, in these icons that are at once domestic […]
Room 8 «How to decide where they begin and where they end, in these icons that are at once domestic […]
Room 7 «Today Gèricault continues to be a point of departure for Testori. His lesson and his memory survive the
Room 6 « I believe that few Italian artists bear the stigmata of the “modern artist” like Giovanni Testori. His fatal
Room 5 «What happened to Testori was what had already happened to Victor Hugo: writing and drawing at the same
Room 4 «The young naked athletes painted by Testori […], through a long history of cross-breeding, mutations and chromosomal enrichment, descend
Room 3 «In our case, the Baptist’s head has become the object, the symbol, the world of infinite pain and
Room 2 Although consistency was not a skill Testori cultivated, it is a fact that his detachment from the paintbrush
Room 1 In the 1940s Giovanni Testori (1923-1993), even before being a writer, was known to most as a realist
Garden A wisteria, an oleander, a colchicum, a peony. Poisonous plants, but few people know this. Coloured flowers that conceal their
Garden Ten swings were suspended in the garden, sometimes hidden. These are the ones on which Vittoria Parrinello wrote her