Under exhibitions

Room 17 In order not to miss the target when crossing the river, one calculates the distance and the current,

Room 16 I do these paintings because I feel them inside. One might wonder why I choose to represent landscapes,

Room 15 My paternal grandmother was a seamstress, the most famous seamstress in the neighbourhood, she was the one who

Garden Critic John Berger says: “When they are intent on examining a man, the eyes of an animal are alert

Room 14 At the beginning I wanted to create a small sculpture that would contain its own story, but as

Room 13 In my works I focus on the affective dimension that lies in empathy, so as to respond with

Room 12 My room is a place of passage and an uncomfortable vantage point from which to observe me. Yet

Room 11 I have been making Beckett portraits for over 10 years. Beckett together with Cèline and Giacometti is for

Room 10 I’ve just thrown dozens of drawings, notes and a few projects into the rubbish bin which I probably