Luca Campestri
In Like Velvety Scars, Luca Campestri investigates ephemeral and fleeting presences through images imprinted by sublimation on velvet: animal traces […]
In Like Velvety Scars, Luca Campestri investigates ephemeral and fleeting presences through images imprinted by sublimation on velvet: animal traces […]
Arianna Marcolin fixes on her canvases the dim light of the snowy twilight and a luminous imprint: the shadow of
Stefano De Paolis explores warmth and its absence in a topography of interiority. Stufa Ideale reinterprets domestic fire as a
The sculptures by Sara Cortesi, Wall Earring and Glass, translate frozen matter into the language of glass and agar agar.
On the occasion of Lent and Easter, the Diocesan Museum of Milan presents an exhibition centered on The Crucifixion by
It hosts a video documenting Testori’s passion for opera and for one of its queens, Renata Tebaldi.
The turn of the decade coincides with a total immersion in painting: color becomes raised matter, blood red solidifies into
Redenta Restelli is the true soul of the Fabbricone: Marianna Tomaselli imagined that all the sheets hanging out to dry
The Fabbricone was a casa di ringhiera—a prototype of public housing—built at the end of Via Aldini. In the notebook
In January 1985, Milan and Italy were struck by an extraordinary snowfall that paralyzed the city for several days. It