Emma Ciceri, 14 DICEMBRE 2010
Room 1 Reality wants to be the object of my research. The relationship with it is manifested through continuous contemplation: […]
Room 1 Reality wants to be the object of my research. The relationship with it is manifested through continuous contemplation: […]
Room 22 It is finally June. With summer everything looks bright. My eyes are magnifying glasses; light, colours, flowers, scents,
Room 21 The work I will present at Giorni Felici is an immediate reference to the title of the exhibition. On entering
Room 20 “The impetus of the act of setting out, the adventurous daring of expeditions to remote lands, are deceptive
Room 19 For Giorni Felici the decision was made to go straight into the details: canvases that recall traditional motifs from the
Room 18 Through upside-down magnifying glasses, two drawings stigmatise the imagery of the “short century”. In a diptych of black
Room 17 A large bourgeois villa near Milan. And in it the abstract presence of Giovanni Testori, the great artist
Room 16 For someone born and raised in Milan like me, Testori is what I have tasted since I was
Room 15 I like to look carefully, to observe, to analyse, to anatomise everything that surrounds me. Especially architecture, the
Room 14 I like old Egyptian films because they remind me of what Egypt was like then and make me