1985: la nevicata al primo piano
It is up to two works by Luca Campestri to act as a visual and poetic connection between the two […]
It is up to two works by Luca Campestri to act as a visual and poetic connection between the two […]
LeiLei Wu, finally, crosses the industrial landscapes between Novate Milanese and Milan North, redefining their habitats, populating them with synthetic
Chiara Gambirasio captures cosmic silence in Cosmo in a vase (Nivio). The vase does not contain, but welcomes: it is
Gaia Ginevra Giorgi weaves a sound carpet that transforms space into an auditory landscape. Starting from a collective breath of
Silvia Capuzzo transforms painting into a gesture of care and resistance: bucolic figures try to protect a dying pile of
Sofie Tobiášová depicts daily scenes suspended between intimacy and absurdity, where snow becomes the background of distorted gestures and a
Nicola Ghirardelli with Il Limite della Neve evokes totemic and fragile figures, eroded and crystallized by frost, like stalagmites born
Martina Rota, through a site-specific installation, faces the presence of evil and its dissolution. Through a wall engraving, a butterfly
Bianca Schröder triggers a kaleidoscopic loop of moving colors: it is a painting that is not looked at, but activates
In Like Velvety Scars, Luca Campestri investigates ephemeral and fleeting presences through images imprinted by sublimation on velvet: animal traces